{"id":1496,"date":"2025-11-10T21:15:45","date_gmt":"2025-11-10T21:15:45","guid":{"rendered":"https:\/\/honfleur-lyrique.fr\/?page_id=1496"},"modified":"2025-11-21T14:58:39","modified_gmt":"2025-11-21T14:58:39","slug":"les-recitals-du-dimanche-30","status":"publish","type":"page","link":"https:\/\/honfleur-lyrique.fr\/?page_id=1496","title":{"rendered":"LES R\u00c9CITALS DU DIMANCHE 30"},"content":{"rendered":"\n

(sous r\u00e9serve de modifications)<\/em><\/p>\n\n\n\n

14h 30 <\/strong><\/p>\n\n\n\n

Mane GHUMASHYAN<\/strong>, soprano<\/strong><\/p>\n\n\n\n

Ave Maria, Astor Piazzolla <\/p>\n\n\n\n

Oh had I Jubal’s Lyre, Joshua, Georg Friedrich Haendel<\/p>\n\n\n\n

Air de Gerda, L\u2019Histoire de Ka\u00ef et Gerda, Sergey Banevich<\/p>\n\n\n\n

Youkali, habanera, Kurt Weill <\/p>\n\n\n\n

O mio babbino caro,  op\u00e9ra Gianni Schicchi, Giacomo Puccini <\/p>\n\n\n\n

Nicolas H\u00c9ZELOT<\/strong>, baryton<\/strong><\/p>\n\n\n\n

Seigneur re\u00e7ois mon \u00e2me, Don Quichotte, Jules Massenet<\/p>\n\n\n\n

Chanson romanesque, Chanson \u00e9pique, Chanson \u00e0 boire, Don Quichotte \u00e0 Dulcin\u00e9e, Maurice Ravel<\/p>\n\n\n\n

Halt!, Am Feierabend, La belle Meuni\u00e8re, Franz Schubert<\/p>\n\n\n\n

Meerestille, Gl\u00fcckliche Fahrt, 12 Lieder d’apr\u00e8s Goethe, Nikolay Medtner, <\/p>\n\n\n\n

Na spokojnym, ciemnym morzu, Mieczyslaw Kar\u0142owic<\/p>\n\n\n\n

Gabrielle SIGURANI<\/strong>, soprano<\/strong><\/p>\n\n\n\n

J’ai deux amants, extrait de l’Amour masqu\u00e9, com\u00e9die musicale, Sacha Guitry et Andr\u00e9 Messager<\/p>\n\n\n\n

Beau soir, m\u00e9lodie, Claude Debussy<\/p>\n\n\n\n

Abendempfindung, chanson, W.-A. Mozart<\/p>\n\n\n\n

Aur\u00e9lien LEVASSEUR<\/strong>, baryton<\/strong><\/p>\n\n\n\n

La seduzione, chanson, Giuseppe Verdi <\/p>\n\n\n\n

Avec Gabrielle Sigurani :<\/strong><\/p>\n\n\n\n

Duo de la mouche, op\u00e9ra Orph\u00e9e aux enfers, Jacques Offenbach <\/p>\n\n\n\n

<\/p>\n\n\n\n

Guillaume SOURISSEAU, t\u00e9nor<\/strong><\/p>\n\n\n\n

Recollection,  m\u00e9lodie, Joseph Haydn <\/p>\n\n\n\n

Se bramate d’amar chi vi sdegna, op\u00e9ra Xerx\u00e8s, Georg Friedrich Haendel<\/p>\n\n\n\n

Quanto a bella, op\u00e9ra L\u2019\u00c9lixir d\u2019amour, Gaetano Donizetti <\/p>\n\n\n\n

Vainement ma bien-aim\u00e9e, air de Mylio, op\u00e9ra Le Roi d\u2019Ys, Edouard Lalo<\/p>\n\n\n\n

Natalia MAIOROVA<\/strong>, soprano<\/strong><\/p>\n\n\n\n

Domine Deus, extrait du Gloria, Antonio Vivaldi<\/p>\n\n\n\n

Eccomi in lieta vesta – Oh quante volte ti chiedo, air de Juliette, op\u00e9ra Les <\/p>\n\n\n\n

Capulet et les Montaigu, Vincenzo Bellini<\/p>\n\n\n\n

Apparition, m\u00e9lodie, Claude Debussy<\/p>\n\n\n\n

16 h <\/strong><\/p>\n\n\n\n

LES P\u00c9RIS<\/strong><\/p>\n\n\n\n

Roxane BORDE, soprano, Charlotte LANDRU-CHAND\u00c8S, mezzo-soprano, Gabrielle BORDE, alto, Alexia KNOPP<\/strong>, guitare<\/strong><\/p>\n\n\n\n

Pauline Viardot, La Havanaise<\/p>\n\n\n\n

Jules Massenet, Nuit d\u2019Espagne<\/p>\n\n\n\n

Camille Saint-Sa\u00ebns, El Desdichado<\/p>\n\n\n\n

Manuel De Falla, Siete canciones populares espanolas (extraits)<\/p>\n\n\n\n

Jules Massenet, Les Yeux clos<\/p>\n\n\n\n

Hector Berlioz, La Mort d\u2019Oph\u00e9lie<\/p>\n\n\n\n

Erik Satie, Gnossienne n\u00b0 1<\/p>\n\n\n\n

Georges Bizet, Les Adieux de l\u2019h\u00f4tesse arabe<\/p>\n\n\n\n

Hector Berlioz, La Captive<\/p>\n\n\n\n

Jules Massenet, Amours b\u00e9nies<\/p>\n\n\n\n

Jules Massenet, La M\u00e9ditation de Tha\u00efs<\/p>\n\n\n\n

Jules Massenet, Tristesse du soir<\/p>\n\n\n\n

Camille Saint-Sa\u00ebns, Ave Maria<\/p>\n\n\n\n

\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

(sous r\u00e9serve de modifications) 14h 30  Mane GHUMASHYAN, soprano Ave Maria, Astor Piazzolla  Oh had I Jubal’s Lyre, Joshua, Georg Friedrich Haendel Air de Gerda, L\u2019Histoire de Ka\u00ef et Gerda, Sergey Banevich Youkali, habanera, Kurt Weill  O mio babbino caro,  op\u00e9ra Gianni Schicchi, Giacomo Puccini  Nicolas H\u00c9ZELOT, baryton Seigneur re\u00e7ois mon \u00e2me, Don Quichotte, Jules […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-full-width.php","meta":{"footnotes":""},"class_list":["post-1496","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/honfleur-lyrique.fr\/index.php?rest_route=\/wp\/v2\/pages\/1496","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/honfleur-lyrique.fr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/honfleur-lyrique.fr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/honfleur-lyrique.fr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/honfleur-lyrique.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1496"}],"version-history":[{"count":16,"href":"https:\/\/honfleur-lyrique.fr\/index.php?rest_route=\/wp\/v2\/pages\/1496\/revisions"}],"predecessor-version":[{"id":1565,"href":"https:\/\/honfleur-lyrique.fr\/index.php?rest_route=\/wp\/v2\/pages\/1496\/revisions\/1565"}],"wp:attachment":[{"href":"https:\/\/honfleur-lyrique.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1496"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}